Contents - 44.1 Summer 2019

Selva Casal (Uruguay)
translated by Jeannine M. Pitas (Iowa)

Today I’d kiss strangers
The telephones are ringing
Sometimes a terrible darkness
In the beginning was chaos
It all was surrounded by angels

Jerome Rothenberg (California)

Ten Fragments

Mingpei Li (New York)

The Female Body Negotiates Waiting

Jeannine Hall Gailey (Washington)

My Life Is an Accident Self-Portrait as Desert During a Superbloom
Signs of Spring on the Way to More Medical Testing
Your Body Is a Fiction

Lina ramona Vitkauskas (Illinois)

Release #11
Release #1

James Pate (West Virginia)

Mineral Planet #32
Mineral Planet #33
Mineral Planet #34

Elizabeth Hatmaker (Illinois)

Introducing the SRPR Illinois Poet
Christopher Breu on Elizabeth Hatmaker
Negations
Directing the Better Dahlia Film Part 2
Square-Ups on Exploitation Filmmaking
Reflections on the Spirit of Houses after My Husband’s Tenure Decision
Requiem

C. S. Giscombe, Jeffrey Higgins, and Emily Ronay Johnston (California)

The SRPR Interview: On Elizabeth Hatmaker

Cristina Rivera Garza (Mexico)
tranalsted by Julia Leverone (Texas)

love is giving what you don’t have to someone who doesn’t want it
VI one of her hands went always in one of death’s

Brandon Krieg (Pennsylvania)

Stranded

Ryan Patrick Smith (Connecticut)

Venus Anadyomene, Sea Glass and Bones

Erik Kennedy (New Zealand)

Bad Air Days

Rita Feinstein (Washington, DC)

Half Life
Self-Portrait as Jamestown

SGabriel Palacios (Arizona)

The Spanish Trail Motel
City Data Hauntology

Erin Slaughter (Florida)

I Am Most Sad Around People When They Make Me Feel Like Some Incarnation of My Mother

Alison Palmer (Maryland)

The Horse on the Island

Lane Falcon (Virginia)

from Hospital series
Carne

Lucia LoTempio (Pennsylvania)

Hello, Can You Hear Me
Vocation, Girl

Yi Won (South Korea)
translated by Kevin Michael Smith (California)

For a Child

Spencer Short (Pennsylvania)

The SRPR Review Essay: Form Dysfunction